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Simon Morley: Hitchcock's Blondes
Reviews
Written by Takeshi HIRATA   
Published: November 20 2009

Copyright © Simon Morley, courtesy of the artist and taguchi fine art, ltd.

    When we enter this gallery, we encounter small gold-colored paintings lined up on the walls. Looking at them more closely, we notice that people’s names have been written on the picture planes in characteristic fonts which also seem to have been embossed. Names found in the pictures include Ingrid Bergman, Grace Kelly, Kim Novak, and Janet Leigh among others. The names are those of the actresses from movies directed by Alfred Hitchcock. What we encounter in this exhibition are the “letters” constituting the actresses’ names found in title backgrounds appearing on screens at the beginning of movies. Why can I say this for sure? There is only one answer - because I know the names of the actresses and movies written in these pictures. Films directed by Hitchcock include Notorious (1946), To Catch a Thief (1955), Vertigo (1958), North by Northwest (1959), and Psycho (1960). You guessed it: I’m a fan of Hitchcock’s films. An exhibition entitled “Notorious: Alfred Hitchcock and Contemporary Art”*1 was held in 2001. It seems that many people involved in the art field are familiar with his movies. Simon Morley, the artist whose works are shown in this exhibition, is also an aficionado of films directed by Hitchcock.

Courtesy of taguchi fine art, ltd.

Courtesy of taguchi fine art, ltd.

    Some viewers may not recognise the names of actresses from Hitchcock’s movies and may not be able to understand the meaning of the names written in the alphabet on the picture planes. For such viewers, these golden pictures would not move their hearts. Thus, the “letters” depicted on the gold-colored picture planes may highlight the difference between viewing the letters and understanding them. When we see a movie, we can feel attached to a suspenseful story only by gazing at a screen while sitting comfortably in our seats. However, unfortunately, paintings are not such an easy-to-enjoy media as movies. I hope you can strain your eyes to see the details in these exhibits. These include the picture planes, the fonts of letters, and the drawing techniques which highlight the boundary between the letters and the background skillfully by using a variety of slightly different methods, such as impasto and flat wash. The pictures include various kinds of devices – the “Hitchcock Touch” - which evoke and recall our memories. Upon noticing such subtleties, one may feel pleasantly surprised. This is akin to the feeling at the moment when we finding out about a number of gadgets used to create the suspenseful scenes in Hitchcock movies and shots in which Hitchcock himself appears secretly as an extra.

Copyright © Simon Morley, courtesy of the artist and taguchi fine art, ltd.

    Here again, the color of the picture planes is gold. There are only letters. Nevertheless, the golden pictures will be transformed into screens and the “actresses”, known as “Hitchcock Blondes”, will be shown there through the film projectors.
    This exhibition space will make us perform psychological plays together with the exhibits using such stealthy gismos - I would like to also call them a kind of “Hitchcock Touch”. Would you like to know about the details of the psychological plays? If so, I recommend you visit the gallery.

Notes
※1
“Notorious: Alfred Hitchcock and Contemporary Art”: Tokyo Opera City Art Gallery, 4 Apr 2001-17 Jun 2001
Last Updated on July 04 2010
 

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