<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" 
  xmlns:dc="http://purl.org/dc/elements/1.1/"
  xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
  xmlns:admin="http://webns.net/mvcb/"
  xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"><channel>
<title>New Articles RSS | KALONSNET</title><link>http://www.kalons.net/e/</link><description>New Articles</description><dc:language>en</dc:language><dc:creator>www.kalons.net</dc:creator><dc:date>2010-03-01T10:20:08+09:00</dc:date><admin:generatorAgent rdf:resource="http://www.kalons.net/?=RSSgeneratorVer.1.0" /><sy:updatePeriod>daily</sy:updatePeriod><sy:updateFrequency>1</sy:updateFrequency><sy:updateBase>2000-01-01T12:00+00:00</sy:updateBase><item><title>Love Love Show</title><link>http://www.kalons.net/e/review/articles_2387.html</link><guid isPermaLink="true">http://www.kalons.net/e/review/articles_2387.html</guid><description><![CDATA[12/DEC/2009-14/FEB/2010, AOMORI MUSEUM OF ART
Since the 2000s we have often seen words, such as “heterogeneity”, “hybrid” and “cross discipline”, included in titles of exhibitions and presently it is not unusual for us to enjoy looking at artworks of varying fields, including art, design, high culture or subculture...]]></description><author>Tomohiro MASUDA</author><category domain="http://www.kalons.net/e/review/">Reviews</category><pubDate>2010-03-01T10:20:08+09:00</pubDate></item><item><title>Tabaimo: DANMEN</title><link>http://www.kalons.net/e/review/articles_2258.html</link><guid isPermaLink="true">http://www.kalons.net/e/review/articles_2258.html</guid><description><![CDATA[11/DEC/2009-03/MAR/2010, Yokohama Museum of Art
Tabaimo’s creations have one point in common, whether they were made in the form of images or book illustrations, in that they are expressions of changing images and chains of altered images, and also they were always depicted using a motif of sociality.]]></description><author>Satoshi KOGANEZAWA</author><category domain="http://www.kalons.net/e/review/">Reviews</category><pubDate>2010-02-09T11:40:13+09:00</pubDate></item><item><title>THE LIBRARY + at this place</title><link>http://www.kalons.net/e/review/articles_2216.html</link><guid isPermaLink="true">http://www.kalons.net/e/review/articles_2216.html</guid><description><![CDATA[24/OCT/2009-20/DEC/2009, Shizuoka Art Gallery
When I visit a large-scale exhibition traveling throughout the country, I cannot always help wondering if there is any inevitability that the exhibition should be held in the venue where I visit at that moment.  Every year I can easily enjoy viewing a number of ...]]></description><author>Satoshi KOGANEZAWA</author><category domain="http://www.kalons.net/e/review/">Reviews</category><pubDate>2010-02-04T17:29:23+09:00</pubDate></item><item><title>SHINCHIKA</title><link>http://www.kalons.net/e/review/articles_2157.html</link><guid isPermaLink="true">http://www.kalons.net/e/review/articles_2157.html</guid><description><![CDATA[28/NOV/2009-16/JAN/2010, Ota Fine Arts
Today we can instantaneously access even to the other side of the world by only clicking a button displayed on the Internet.  This may sometimes make us lose our bearings.  Throughout a game screen we find there is a world created using CG (computer graphics).]]></description><author>Mizuki TANAKA</author><category domain="http://www.kalons.net/e/review/">Reviews</category><pubDate>2010-01-31T00:10:55+09:00</pubDate></item><item><title>Nobuaki Onishi: Chain</title><link>http://www.kalons.net/e/review/articles_2137.html</link><guid isPermaLink="true">http://www.kalons.net/e/review/articles_2137.html</guid><description><![CDATA[19/DEC/2009-23/JAN/2010, Gallery Nomart
Six hundred and seventy-two butterflies were pasted on the wall.  The reason why I could accurately grasp the number of butterflies was of course not that I counted all of them piece by piece but that they were orderly arranged in twenty-one widthwise and ...]]></description><author>Satoshi KOGANEZAWA</author><category domain="http://www.kalons.net/e/review/">Reviews</category><pubDate>2010-01-28T09:28:37+09:00</pubDate></item><item><title>Rei Naito: Tout animal est dans le monde comme de l’ eau à l’ intérieur de l’ eau.</title><link>http://www.kalons.net/e/review/articles_2112.html</link><guid isPermaLink="true">http://www.kalons.net/e/review/articles_2112.html</guid><description><![CDATA[14/NOV/2009-24/JAN/2010, The Museum of Modern Art, Kamakura
The first exhibition room that is on the second floor of the venue is in dim light.  The room is illuminated only with fairy lights displayed on a textile laid in a display case.  Ribbons and buttons are scattered around the lights, ...]]></description><author>Satoshi KOGANEZAWA</author><category domain="http://www.kalons.net/e/review/">Reviews</category><pubDate>2010-01-25T09:55:49+09:00</pubDate></item><item><title>Junsuke Inatomi: Tsuki-yomu-hone</title><link>http://www.kalons.net/e/review/articles_2090.html</link><guid isPermaLink="true">http://www.kalons.net/e/review/articles_2090.html</guid><description><![CDATA[19/DEC/2009-25/DEC/2009, Gallery Buburindo
Peering at the inside bottom of the pottery, I found there were stars.  The black stars were randomly shining against the white background of the pottery just like the moon floating in the blue sky during the day.]]></description><author>Satoshi KOGANEZAWA</author><category domain="http://www.kalons.net/e/review/">Reviews</category><pubDate>2010-01-21T10:31:18+09:00</pubDate></item><item><title>Yoko Ono: “A HOLE”</title><link>http://www.kalons.net/e/review/articles_2061.html</link><guid isPermaLink="true">http://www.kalons.net/e/review/articles_2061.html</guid><description><![CDATA[05/DEC/2009-25/DEC/2009, Gallery 360°
Glass plates are displayed not only on the wall but on the table at the center of the exhibition room.  It is not difficult for us to imagine cracks found on all the plates were made using a gun because of the existence of a little “hole” in the center of each plate.]]></description><author>Satoshi KOGANEZAWA</author><category domain="http://www.kalons.net/e/review/">Reviews</category><pubDate>2010-01-18T09:44:47+09:00</pubDate></item><item><title>Sticky Sloppy Lumpy</title><link>http://www.kalons.net/e/review/articles_2018.html</link><guid isPermaLink="true">http://www.kalons.net/e/review/articles_2018.html</guid><description><![CDATA[09/DEC/2009-24/DEC/2009, TURNER GALLERY
Usually, contents of exhibition - exhibits - are not changed significantly after the opening of the exhibition.  In other words, artworks displayed at the beginning of exhibition period are basically shown until its closing day.]]></description><author>Satoshi KOGANEZAWA</author><category domain="http://www.kalons.net/e/review/">Reviews</category><pubDate>2010-01-14T10:49:52+09:00</pubDate></item><item><title>Makoto Azuma Exhibition at ARKHILLS: Bridge of Plants</title><link>http://www.kalons.net/e/review/articles_1990.html</link><guid isPermaLink="true">http://www.kalons.net/e/review/articles_1990.html</guid><description><![CDATA[01/DEC/2009-05/MAY/2010, ARK HILLS  ARK KARAJAN PLACE
Indeed, the title of the works, “Bridge of Plants” (2009), created by Makoto Azuma, and their concept of “working as bridges between cities and nature” would make you imagine in a relatively-easy way the figure of bridges created by using plants...]]></description><author>Satoshi KOGANEZAWA</author><category domain="http://www.kalons.net/e/review/">Reviews</category><pubDate>2010-01-11T10:22:48+09:00</pubDate></item><item><title>The art comes out in the town</title><link>http://www.kalons.net/e/review/articles_1964.html</link><guid isPermaLink="true">http://www.kalons.net/e/review/articles_1964.html</guid><description><![CDATA[27/NOV/2009-06/DEC/2009, Shibakawa Casting
Exhibits are displayed using the accumulated molds and old balustrades.  Looking at the back of the room through the spaces found in each creation, we notice there are various kinds of things piled up randomly.]]></description><author>Satoshi KOGANEZAWA</author><category domain="http://www.kalons.net/e/review/">Reviews</category><pubDate>2010-01-07T10:08:07+09:00</pubDate></item><item><title>Mokoto Morimura: Dear Thomas</title><link>http://www.kalons.net/e/review/articles_1953.html</link><guid isPermaLink="true">http://www.kalons.net/e/review/articles_1953.html</guid><description><![CDATA[23/OCT/2009-28/NOV/2009, TOKIO OUT of PLACE
People, places, words, food, rooms, schools, jobs, etc…  We are always trying to find out something.  Our life may consist of an accumulation of time to search for something, whether it is concrete or abstract, or large or small.]]></description><author>Takeshi HIRATA</author><category domain="http://www.kalons.net/e/review/">Reviews</category><pubDate>2010-01-04T08:14:46+09:00</pubDate></item><item><title>The whole and a part 2009 “collector/collection”</title><link>http://www.kalons.net/e/topics/articles_1952.html</link><guid isPermaLink="true">http://www.kalons.net/e/topics/articles_1952.html</guid><description><![CDATA[The 2009 was a year of “collectors”.  The “Neoteny Japan: Takahashi Collection” directed by Ryutaro Takahashi, who may be one of the best-known collector of modern artworks, was held all around Japan last year and the collection room...]]></description><author>Satoshi KOGANEZAWA</author><category domain="http://www.kalons.net/e/topics/">Topics</category><pubDate>2009-12-31T00:43:02+09:00</pubDate></item><item><title>The Current Situation of Art in the Tohoku District - Featuring “ART + TOUJI 2009 in Hijiori”</title><link>http://www.kalons.net/e/feature/articles_1923.html</link><guid isPermaLink="true">http://www.kalons.net/e/feature/articles_1923.html</guid><description><![CDATA[Recently, we often hear of projects which are held with the aim of economically developing the area with art.  Both “Echigo-Tsumari Art Triennial”, which is held at Tsunan Town, Tokamachi City, Niigata Prefecture every three years, and “Nakanojo Biennale” ...]]></description><author>Satoshi KOGANEZAWA</author><category domain="http://www.kalons.net/e/feature/">Features</category><pubDate>2009-12-28T06:50:23+09:00</pubDate></item><item><title>Kobe Biennale 2009</title><link>http://www.kalons.net/e/review/articles_1902.html</link><guid isPermaLink="true">http://www.kalons.net/e/review/articles_1902.html</guid><description><![CDATA[03/OCT/2009-23/NOV/2009, Kobe Meriken Park and Hyogo Prefectural Museum of Art
Various kinds of “biennale” are held in a year at many places, such as in mountains, along rivers and in cities.  Nonetheless, I have never heard of a biennale which is held at “sea” like that of this time at the Port of Kobe.]]></description><author>Takeshi HIRATA</author><category domain="http://www.kalons.net/e/review/">Reviews</category><pubDate>2009-12-24T10:00:50+09:00</pubDate></item></channel></rss>