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<title>Daily Ranking RSS | KALONSNET</title><link>http://www.kalons.net/e/ranking/</link><description>Daily Ranking</description><dc:language>en</dc:language><dc:creator>www.kalons.net</dc:creator><dc:date>2009-07-09T16:06:40+09:00</dc:date><admin:generatorAgent rdf:resource="http://www.kalons.net/?=RSSgeneratorVer.1.0" /><sy:updatePeriod>daily</sy:updatePeriod><sy:updateFrequency>1</sy:updateFrequency><sy:updateBase>2000-01-01T12:00+00:00</sy:updateBase><item><title>Neoteny Japan -Takahashi Collection</title><link>http://www.kalons.net/e/news/articles_824.html</link><guid isPermaLink="true">http://www.kalons.net/e/news/articles_824.html</guid><description><![CDATA[20/MAY/2009-15/JUL/2009, Ueno Royal Museum
Through the collection of Ryutaro Takahashi, a psychiatrist known as one of Japan's best contemporary art collectors, this exhibition traces back the trend of Japanese contemporary art from the 1990s.]]></description><author></author><category domain="http://www.kalons.net/e/news/">Exhibitions</category><pubDate>2009-07-09T16:06:40+09:00</pubDate></item><item><title>Helsinki School Photography Exhibition　Internal and External Landscapes</title><link>http://www.kalons.net/e/news/articles_698.html</link><guid isPermaLink="true">http://www.kalons.net/e/news/articles_698.html</guid><description><![CDATA[27/JUN/2009-09/AUG/2009, Shiseido Gallery
“Helsinki School” is the name given to a loose group of teachers, students, and graduates dedicated to preserving the aesthetic approaches and thinking that have emerged from the
teaching methodologies used at the University of Art and Design Helsinki.]]></description><author></author><category domain="http://www.kalons.net/e/news/">Exhibitions</category><pubDate>2009-06-15T13:47:28+09:00</pubDate></item><item><title>21st Century Museum of Contemporary Art, Kanazawa</title><link>http://www.kalons.net/e/gallery/galleries_1395.html</link><guid isPermaLink="true">http://www.kalons.net/e/gallery/galleries_1395.html</guid><description><![CDATA[The 21st Century Museum of Contemporary Art, Kanazawa, was opened in September 2004 in Hirosaka in the center of Kanazawa City. With the aims of enhancing the charms and reputation of Kanazawa City, and creating an innovative culture, this museum offers various kinds of activities centering on contemporary art, such as exhibitions, an education program, and other events.
Besides the collections, storing, and research, along with the high-level exhibition project, The 21st Century Museum of Contemporary Art, Kanazawa has been highly evaluated by the original long-term project exhibition, "Young People of Kanazawa, Dream Challenge Art Program", that supports the growth of young people of Kanazawa artists through art activities, and also runs a business cooperating with educational institutions in the Kanazawa. 
  It is also noteworthy that the architecture of the museum designed by Sejima Kazuyo and Nishizwa Ryue/SANAA, two architects who have received international acclaim, features a unique circular design and elegant galleries white in tone. The traditional image of the museum that had been assumed to feel self-conscious, was turned into a new image with a bright, openhearted space as a result of such architecture which gave us freshness and a surprise.  The ideas "Openheartedly", "Exchange", and "Citizenry participation" are the concepts in the museums frequently requested.  However, The 21st Century Museum of Contemporary Art, Kanazawa is a rare example of having beautifully embodied  these concepts as construction.  SANAA won the Grand Prize/Prix at the Venice Biennale of Architecture in 2004 with this design. 
  In the facility, most of the commission works produced for the 21st Century Museum of Contemporary Art, Kanazawa can be seen free of charge. There are many works which stimulate the viewers' perceptions, such as Leandro Erlich's "Swimming Pool" and James Turrell's "Blue Planet Sky", which give us the valuable experience of re-examining our traditional concept of museums.
* Photo by Takeshi NAKASA / Nakasa & Partners, courtesy of 21st Century Museum of Contemporary Art, Kanazawa]]></description><author>Takeshi HIRATA</author><category domain="http://www.kalons.net/e/gallery/">Gallery Data</category><pubDate>2009-10-14T14:04:36+09:00</pubDate></item><item><title>Yuka Sasahara Gallery</title><link>http://www.kalons.net/e/gallery/galleries_216.html</link><guid isPermaLink="true">http://www.kalons.net/e/gallery/galleries_216.html</guid><description><![CDATA[Opened in Kagurazaka, Tokyo in 2006 and relocated to Kanda in January of 2010, Yuka Sasahara Gallery covers a wide range of art genres including paintings, solid works and media art, and is well-known for the strong character of avant-garde art that symbolized its opening exhibition, "Classics karaoke 2006" by Iichiro Tanaka. 
It introduces mainely young domestic artists including Yosuke Amemiya, Iichiro Tanaka, Katsuhito Yamamoto, Mami Kosemura, Chihiro Kato, Saori Miyake, Nanako Kawaguchi and Ryosuke Hara.]]></description><author>You GOSHIKI</author><category domain="http://www.kalons.net/e/gallery/">Gallery Data</category><pubDate>2008-12-28T22:55:08+09:00</pubDate></item><item><title>The National Art Center, Tokyo</title><link>http://www.kalons.net/e/gallery/galleries_79.html</link><guid isPermaLink="true">http://www.kalons.net/e/gallery/galleries_79.html</guid><description><![CDATA[Opened in 2007 in Roppongi, Tokyo, the National Art Center is a unique and innovative art exhibition facility. Instead of maintaining a permanent collection, it focuses on serving as a venue for various art exhibitions. The Center also promotes outreach activities through its educational programs, and the Art Library serves to collect and disseminate information related to art. The architecture of the building, which has a total area of 14,000 square meters, was designed by Kisho Kurokawa and none of its twelve exhibition rooms have pillars, which makes any kind of free style exhibition possible.]]></description><author></author><category domain="http://www.kalons.net/e/gallery/">Gallery Data</category><pubDate>2008-10-09T19:44:20+09:00</pubDate></item><item><title>The Colors of Mary Blair</title><link>http://www.kalons.net/e/news/articles_852.html</link><guid isPermaLink="true">http://www.kalons.net/e/news/articles_852.html</guid><description><![CDATA[18/JUL/2009-05/OCT/2009, Museum of Contemporary Art Tokyo (MOT)
Mary Blair (1911-1978) produced concept art and color styling for such Disney films as “Cinderella” and “Alice in Wonderland”. This exhibition examines Mary Blair’s life and productions through some 500 works and related materials.]]></description><author></author><category domain="http://www.kalons.net/e/news/">Exhibitions</category><pubDate>2009-07-15T14:13:49+09:00</pubDate></item><item><title>Miwa YANAGI: Po-po Nyangnyang</title><link>http://www.kalons.net/e/news/articles_846.html</link><guid isPermaLink="true">http://www.kalons.net/e/news/articles_846.html</guid><description><![CDATA[20/JUN/2009-23/SEP/2009, The National Museum of Art, Osaka
This solo exhibition of Miwa Yanagi, known for her singular body of work, introduce her special charm through the complete “My Grandmothers” series and a new installation that she is also set to show in Venice this year.]]></description><author></author><category domain="http://www.kalons.net/e/news/">Exhibitions</category><pubDate>2009-07-14T12:31:45+09:00</pubDate></item><item><title>Tom Friedman: Not Something Else</title><link>http://www.kalons.net/e/news/articles_382.html</link><guid isPermaLink="true">http://www.kalons.net/e/news/articles_382.html</guid><description><![CDATA[28/MAR/2009-02/MAY/2009, Tomio Koyama Gallery, Kyoto
Bubble gums, toilet paper, toothpicks, plastic drinking straws…. Tom Friedman transforms these ordinary, everyday materials into unexpected and beautiful artworks. It presents Friedman’s 7 new works, including sculpture, animation video, and drawing.]]></description><author></author><category domain="http://www.kalons.net/e/news/">Exhibitions</category><pubDate>2009-03-24T05:48:35+09:00</pubDate></item><item><title>Julian Opie</title><link>http://www.kalons.net/e/news/articles_1368.html</link><guid isPermaLink="true">http://www.kalons.net/e/news/articles_1368.html</guid><description><![CDATA[16/OCT/2009-14/NOV/2009, SCAI THE BATHHOUSE
Julian Opie is widely known by its portrait works. This exhibition showcases her latest works in what Opie calls a salon-style context that provides an enclosed, classical, private mood.]]></description><author></author><category domain="http://www.kalons.net/e/news/">Exhibitions</category><pubDate>2009-10-11T23:11:26+09:00</pubDate></item><item><title>Olafur Eliasson: Your chance encounter</title><link>http://www.kalons.net/e/news/articles_1944.html</link><guid isPermaLink="true">http://www.kalons.net/e/news/articles_1944.html</guid><description><![CDATA[21/NOV/2009-22/MAR/2010, 21st Century Museum of Contemporary Art, Kanazawa
In marking its fifth anniversary, 21st Century Museum of Contemporary Art, Kanazawa will hold a large-scale solo exhibition structured around new works by the Danish/ Icelandic artist Olafur Eliasson.]]></description><author></author><category domain="http://www.kalons.net/e/news/">Exhibitions</category><pubDate>2009-12-30T10:01:17+09:00</pubDate></item><item><title>Apichatpong Weerasethakul: NATIVE LAND</title><link>http://www.kalons.net/e/news/articles_2476.html</link><guid isPermaLink="true">http://www.kalons.net/e/news/articles_2476.html</guid><description><![CDATA[12/MAR/2010-17/APR/2010, SCAI THE BATHHOUSE
Solo exhibition of Apichatpong Weerasethakul, born in Bangkok, Thailand in 1970. The video Phantoms of Nabua forms the core of the new exhibition.]]></description><author></author><category domain="http://www.kalons.net/e/news/">Exhibitions</category><pubDate>2010-03-11T12:33:15+09:00</pubDate></item><item><title>Nanako Kawaguchi, Saori Miyake, Katsuhito Yamamoto, and more: Recent Works vol.2</title><link>http://www.kalons.net/e/news/articles_315.html</link><guid isPermaLink="true">http://www.kalons.net/e/news/articles_315.html</guid><description><![CDATA[28/MAR/2009-18/APR/2009, Yuka Sasahara Gallery
Exhibitng the unpublished works by Nanako Kawaguchi, the photogram works by Saori Miyake, and small works by Katsuhito Yamamoto.]]></description><author></author><category domain="http://www.kalons.net/e/news/">Exhibitions</category><pubDate>2009-02-20T12:09:04+09:00</pubDate></item><item><title>The 13th Taro Okamoto Award for Contemporary Art</title><link>http://www.kalons.net/e/news/articles_2235.html</link><guid isPermaLink="true">http://www.kalons.net/e/news/articles_2235.html</guid><description><![CDATA[06/FEB/2010-04/APR/2010, Taro Okamoto Museum of Art, Kawasaki
The Award aims to support and celebrate those artists who succeed the challenging spirit of Taro Okamoto manifested in the making of creative works with individual expression.]]></description><author></author><category domain="http://www.kalons.net/e/news/">Exhibitions</category><pubDate>2010-02-06T03:38:28+09:00</pubDate></item><item><title>Chiharu Shiota: Breath of the Spirit</title><link>http://www.kalons.net/e/review/articles_111.html</link><guid isPermaLink="true">http://www.kalons.net/e/review/articles_111.html</guid><description><![CDATA[01/JUL/2008-15/SEP/2008, The National Museum of Art, Osaka
Exhibition of Chiharu Shiota (born in 1972 in Osaka) which has been prepared long enough for 3 years. Examine how much the exhibition layout was effective for showing Shioda's concept.]]></description><author>Satoshi KOGANEZAWA</author><category domain="http://www.kalons.net/e/review/">Reviews</category><pubDate>2008-10-28T05:37:59+09:00</pubDate></item><item><title>TIME OF MOSS / Makoto AZUMA</title><link>http://www.kalons.net/e/artwork/artworks_2006.html</link><guid isPermaLink="true">http://www.kalons.net/e/artwork/artworks_2006.html</guid><description><![CDATA[The material Azuma used for the exhibition " TOKYO FIBER ’09 SENSEWARE" which shows the creativity using artificial fiber technology of Japan was terramac (by Unitika, Ltd.). Azuma arranged moss in the terramac that had biodegradability and returns to the soil. The green of the moss looked attractive because the exhibition floor both in Milan and Tokyo was based on really fastidious white. The moss on an artificial fiber grows up during the session by being moistened. I remember the amazing world which was like a microcosm in the part of a vast wetland. It is a work which was enabled by the new technology and the material, and the future is very expected.]]></description><author>Satoshi KOGANEZAWA</author><category domain="http://www.kalons.net/e/artwork/">Artwork Data</category><pubDate>2010-01-12T13:03:32+09:00</pubDate></item><item><title>The National Museum of Modern Art, Tokyo</title><link>http://www.kalons.net/e/gallery/galleries_1975.html</link><guid isPermaLink="true">http://www.kalons.net/e/gallery/galleries_1975.html</guid><description><![CDATA[The National Museum of Modern Art, Tokyo was opened as the first National Museum of Modern Arts in Japan by the design of Kunio Maekawa in Kyobashi, Tokyo in December of 1952. The museum then obtained adjoining land two times and extended the facility. In July of 1969, the museum was newly opened by design of Yoshiro in Kitanomaru Park.
Afterwards, a large-scale extension and rebuilding construction was held under the design of SAKAKURA ASSOCIATES for the building superannuated and the reasons of collection expansion for two and a half years from July of 1999, and newly opened in January, 2002. It aimed at strengthening earthquake resistance and enhancing the usability by expanding the exhibition space, enhancing the library service, newly establishing a rest space, a restaurant, a museum shop etc. (Photo right top) The National Museum of Modern Art, Tokyo, photo by Norihiro UENO
The collection exhibition ｓｅｌｅｃｔs 180 - 220 of painting, sculpture, watercolor, rough sketch, print, and photograph works from the approximately 9,800 collection, for a general view of the flow of a modern art of Japan from the 20th beginning of the century to the present age. The substantial ｓｅｌｅｃｔion is worthy to visit repeatedly. The museum also holds enthusiastic special exhibitions on the modern and contemporary art during year.
As the related facilities, there are the film center (main building of Kyobashi and Sagamihara branch) that is only the national movie facility, and the craft pavilion which building was repaired from the former Imperial Guard Command public office building.]]></description><author>Takeshi HIRATA</author><category domain="http://www.kalons.net/e/gallery/">Gallery Data</category><pubDate>2010-01-07T15:31:28+09:00</pubDate></item><item><title>Gallery Yamaguchi</title><link>http://www.kalons.net/e/gallery/galleries_2153.html</link><guid isPermaLink="true">http://www.kalons.net/e/gallery/galleries_2153.html</guid><description><![CDATA[Opened in March of 1980 in Ginza 3 cho-me, Tokyo, and SOKO Gallery was added to the activity in Shinkiba in May of 1991. Gallery Yamaguchi then integrated the two galley spaces into one in Ginza 7 cho-me in August of 1993, and then relocated to Kyobashi in August of 1995. In January, 2010, it closed and ended the long history with many regrets.

In two space in the first floor and the underground, Gallery Yamaguchi, as a project and a rental gallery of the contemporary art, held mainly solo exhibitios of Japanese artists' painting, sculpture, print, photograph, and installation, etc. from emerging young to established artists. It was acknowledged in the strong originality, the refined sense of beauty, and the clear concept in the direction. It was devoted to discover and support emerging young artists, and with an aim of promoting them to the world, it also often held the exchange exhibition with foreign countries.

Among the represented artists are Kakuzo Tatehata, Gyoji Nomiyama, Ushio Shinohara, Hisashi Momose, Kosai Momose, Atsuo Okamoto, Yoshiro Negishi, Yoshihisa Mizukami, Akiko Tsuda, Junya Koike, Chisato Sakaue, and Megumi Aoki.]]></description><author>Takeshi HIRATA</author><category domain="http://www.kalons.net/e/gallery/">Gallery Data</category><pubDate>2010-01-30T09:05:25+09:00</pubDate></item><item><title>21_21 DESIGN SIGHT</title><link>http://www.kalons.net/e/gallery/galleries_1558.html</link><guid isPermaLink="true">http://www.kalons.net/e/gallery/galleries_1558.html</guid><description><![CDATA[Opened in Tokyo Midtown in Tokyo and Roppongi in March, 2007.  This unique structure was designed by the architect Tadao Ando.  It has a huge iron plate as its roof that bends down and is inclined toward the ground.  It is noteworthy that, from the aspect of design, this construction functions as a place where people who visit feel happy at the design, and experience a fresh surprise at it and its variety of art-related proposals. 
Three designers assume the position of the director; Issey Miyake (clothes designer) who knows the current state of design and the site of production well, Taku Satoh (graphic designer), and Naoto Fukasawa (product designer). They have held a number of programs such as exhibitions, talk events, and a workshop with its associate director, Noriko Kawakami (journalist). Simple, deep themes such as "Chocolate", "Water", "Person", "Nature", and "Bone" are chosen in the special exhibitions. In these one designer directions an exhibition on a single theme, which aims to re-examine the image and concept of the traditional design exhibition.  This attempt  can be seen as a realization of the concept stated by Issey Miyake that, "The design is unsuitable to sadness. There is hope in the design. The function of the design is to send a surprise and pleasure to people" (Issey Miyake, "Let's create a design museum to make the best use of "resource" ,Asahi Shimbun, evening edition, January 28, 2003).
This name originates in the English language phrase "20/20 Vision (Sight)" which indicates having perfect eyesight. The name “21_21 DESIGN SIGHT” therefore implies a wish to be a place from which future visions are created.
* Photo right top: Photo by Masaya YOSHIMURA / NACASA & PARTNERS, Inc.]]></description><author>Takeshi HIRATA</author><category domain="http://www.kalons.net/e/gallery/">Gallery Data</category><pubDate>2009-11-09T19:08:05+09:00</pubDate></item><item><title>Kanagawa Prefectural Gallery</title><link>http://www.kalons.net/e/gallery/galleries_2405.html</link><guid isPermaLink="true">http://www.kalons.net/e/gallery/galleries_2405.html</guid><description><![CDATA[Opened in front of Yokohama Port in Yamashita Park, Yokohama in 1975, Kanagawa Prefectural Gallery has 5 exhibition rooms, totally 300 m² space which is the maximum in Kanagawa prefecture, on the first floor and the first floor and the underground of Kanagawa Kenmin Hall that is familiar as a concert place for the opera and the classic music.  
It is generally a rental gallery for wide range of exhibitions such as the painting, the sculpture, the craft, the photograph, the print, books, and the painting in India ink, besides irregularly holding an enthusiastic project exhibition of a veteran or an emerging artist by the best use of the high ceiling and the wide floor. There were many notice-worthy exhibitions including Koichi Ebizuka, Mitsunori Kurashige, Chiharu Shiota, “Everyday life Another space” of Takehito Koganezawa. Moreover, a music-art related project such as "Art complex" to cross the border among the art, music, and the dance is also attempted since there is a music hall next to it.
(Photo right) View from the exhibition of Chiharu Shiota, "silence" (2007), photo by Yasushi Nishimura]]></description><author>Takeshi HIRATA</author><category domain="http://www.kalons.net/e/gallery/">Gallery Data</category><pubDate>2010-03-02T15:02:16+09:00</pubDate></item><item><title>The University Art Museum, Tokyo University of the Arts</title><link>http://www.kalons.net/e/gallery/galleries_1496.html</link><guid isPermaLink="true">http://www.kalons.net/e/gallery/galleries_1496.html</guid><description><![CDATA[In April 1999, The University Art Museum opened under the supervision of the architect Kijo Rokkaku in Tokyo University of the Arts in Ueno, Tokyo. It functions to research and preserve the art material of The Tokyo Fine Arts School (the predecessor of Tokyo University of the Arts; the former name being Tokyo National University of Fine Arts and Music), the material for education, the art history research, or music/musical instruments, and the works of its graduates, and to provide access to these materials and works to the public. There is also a cafeteria, a museum shop, and a painting materials shop in the pavilion.
There are exhibition facilities of modern architecture such as the Chinretsukan Gallery constructed in 1929 (designed by Shinichiro Okada) with red scratch tiles on its facade, the Masaki Memorial Gallery built to commemorate the honorable work of the University's fifth director, Masaki Naohiko, and designed in modern Japanese style using concrete, and various exhibitions run there during year. The Toride Annex, designed by Kijo Rokkaku, was a further addition, in the Toride campus in 1994.
It rare to find a museum such as The University Art Museum in an actual art university that is the actual site for production and the education research, and in which the works of their collections and the present students and lecturers influence each other in a positive way.]]></description><author>Takeshi HIRATA</author><category domain="http://www.kalons.net/e/gallery/">Gallery Data</category><pubDate>2009-10-29T12:26:52+09:00</pubDate></item><item><title>Museum of Contemporary Art Tokyo (MOT)</title><link>http://www.kalons.net/e/gallery/galleries_35.html</link><guid isPermaLink="true">http://www.kalons.net/e/gallery/galleries_35.html</guid><description><![CDATA[Opened in 1995 in Kiba Park, Tokyo; designed by Takahiko Yanagisawa (TAK). Public museum specializes in contemporary art. The collection comprises approximately 4,000 works from 1945 to present. The MOT has an excellent collection of post-war Japanese art that traces major currents chronologically. The special exhibitions include many large-scale solo-exhibitions, domestic and international touring exhibitions, for example, “Yayoi Kusama” (1999), and “Takashi Murakami” (2001). “MOT Annual” holds every January to introduce the works of new rising Japanese artists. The exhibitions on architecture, fashion, and animation (e.g. Studio Ghibli) have also been shown at the MOT.]]></description><author></author><category domain="http://www.kalons.net/e/gallery/">Gallery Data</category><pubDate>2008-09-22T09:06:31+09:00</pubDate></item><item><title>Shotetsu NARITA</title><link>http://www.kalons.net/e/news/articles_2489.html</link><guid isPermaLink="true">http://www.kalons.net/e/news/articles_2489.html</guid><description><![CDATA[27/MAR/2010-04/APR/2010, Sangosoko
Sangosoko Solo exhibition series No.7 by Shotetsu NARITA who produces mainly oil paintings.]]></description><author></author><category domain="http://www.kalons.net/e/news/">Exhibitions</category><pubDate>2010-03-12T10:50:54+09:00</pubDate></item><item><title>Kazuo SHIRAGA: Paintings arisen from grapples</title><link>http://www.kalons.net/e/news/articles_1545.html</link><guid isPermaLink="true">http://www.kalons.net/e/news/articles_1545.html</guid><description><![CDATA[31/OCT/2009-27/DEC/2009, YOKOSUKA MUSEUM OF ART
Retrospective show of Kazuo Shiraga (1924-2008) known as  pioneer of action painting in Japan.]]></description><author></author><category domain="http://www.kalons.net/e/news/">Exhibitions</category><pubDate>2009-11-06T16:14:15+09:00</pubDate></item><item><title>Tomoko KASHIKI</title><link>http://www.kalons.net/e/news/articles_290.html</link><guid isPermaLink="true">http://www.kalons.net/e/news/articles_290.html</guid><description><![CDATA[13/MAR/2009-17/APR/2009, Ota Fine Arts
In Kashiki’s paintings, human figures are sometimes fractionated, laid out in the limited space, like a room and garden. Their oozing sense of presence is kept on the surface of her works. She was awarded an incentive prize of VOCA this year.]]></description><author></author><category domain="http://www.kalons.net/e/news/">Exhibitions</category><pubDate>2009-02-11T19:41:17+09:00</pubDate></item><item><title>armored pine - Makoto Azuma</title><link>http://www.kalons.net/e/news/articles_2265.html</link><guid isPermaLink="true">http://www.kalons.net/e/news/articles_2265.html</guid><description><![CDATA[27/FEB/2010-17/MAR/2010, POLA MUSEUM ANNEX
A flower artist, Azuma expresses the sense of beauty seen in Japanese culture such as the tea ceremony by using armored pine.]]></description><author></author><category domain="http://www.kalons.net/e/news/">Exhibitions</category><pubDate>2010-02-09T15:18:47+09:00</pubDate></item><item><title>Jean Claude Wouters: The Sweetest Embrace of All</title><link>http://www.kalons.net/e/news/articles_2054.html</link><guid isPermaLink="true">http://www.kalons.net/e/news/articles_2054.html</guid><description><![CDATA[05/FEB/2010-13/MAR/2010, TAKA ISHII GALLERY (KYOTO)
The first solo exhibition by Belgian artist , Jean Claude Wouters in this gallery.]]></description><author></author><category domain="http://www.kalons.net/e/news/">Exhibitions</category><pubDate>2010-01-16T22:46:11+09:00</pubDate></item><item><title>Kohei Nawa: Transcode</title><link>http://www.kalons.net/e/review/articles_1614.html</link><guid isPermaLink="true">http://www.kalons.net/e/review/articles_1614.html</guid><description><![CDATA[19/SEP/2009-17/OCT/2009, Gallery Nomart
There is a “cell” emitting light to the darkness in the gallery space.  Actually, the “cell” is a “sculpture” of liquid crystal display monitor which is covered with transparent spheres of variable size.  Thus, the light is being leaked from images...]]></description><author>Takeshi HIRATA</author><category domain="http://www.kalons.net/e/review/">Reviews</category><pubDate>2009-11-16T09:37:10+09:00</pubDate></item><item><title>Mokoto Morimura: Dear Thomas</title><link>http://www.kalons.net/e/review/articles_1953.html</link><guid isPermaLink="true">http://www.kalons.net/e/review/articles_1953.html</guid><description><![CDATA[23/OCT/2009-28/NOV/2009, TOKIO OUT of PLACE
People, places, words, food, rooms, schools, jobs, etc…  We are always trying to find out something.  Our life may consist of an accumulation of time to search for something, whether it is concrete or abstract, or large or small.]]></description><author>Takeshi HIRATA</author><category domain="http://www.kalons.net/e/review/">Reviews</category><pubDate>2010-01-04T08:14:46+09:00</pubDate></item><item><title>Kodama Gallery</title><link>http://www.kalons.net/e/gallery/galleries_405.html</link><guid isPermaLink="true">http://www.kalons.net/e/gallery/galleries_405.html</guid><description><![CDATA[Opened in Osaka in 1999 and then relocated to Kyoto in 2008, Kodama Gallery is a contemporary art gallery based in the Kansai district. The Tokyo branch was opened in 2004 in Kagurazaka and relocated to the so-called ‘Shirokane gallery building’ in January 2008. 
The gallery represents Ryoko Aoki, Daisuke Nakayama, Chihiro Mori, and other artists who are based in Osaka or West Japan. Organizing ‘Kodama Gallery Project,’ it actively introduces young emerging artists. Kodama has participated in the Armory Show (NY), ART BASEL ‘LISTE,’ and many other international art fairs.]]></description><author></author><category domain="http://www.kalons.net/e/gallery/">Gallery Data</category><pubDate>2009-03-30T15:18:11+09:00</pubDate></item><item><title>Tetsuya Mishima: painting - woman and vanitas -</title><link>http://www.kalons.net/e/news/articles_585.html</link><guid isPermaLink="true">http://www.kalons.net/e/news/articles_585.html</guid><description><![CDATA[12/JUN/2009-27/JUN/2009, OTO GALLERY
Exhibiting 10 works by Mishima, centering the female image with a unique sense of beauty that should be called "Mishima-style". It includes a simple nude work, a vanitasu-like still painting, and a print work.]]></description><author></author><category domain="http://www.kalons.net/e/news/">Exhibitions</category><pubDate>2009-05-19T12:03:27+09:00</pubDate></item></channel></rss>