| hand vase |
| Artworks |
| Written by Satoshi KOGANEZAWA |
| Published: January 19 2010 |
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    This is the first work for Azuma of a single flower in a Hasami-yaki vase. It has a long process to have arrived to this pottery form through the conceptual stage in 2005 and the announcement at AMPG in 2009. The work announced at AMPG was the one by mannequin hands each with a white glove for the medical treatment in various hand-poses. The “hand vase” by the Hasami-yaki earthenware produced in Hasami-cho, Higashisonogi, Nagasaki, is different from the one at AMPG in the single pose, though the white color is the same. There is a puncture on the tip of the middle finger which is provocatively posed, that is a specification to arrange a flower there. When the work was announced first, 100 editions were arranged in an orderly manner, and a sole daffodil was arranged among them. Azuma showed his criticism to the trivial narcissism by arranging a narcissus - a flower named after the handsome youth of Grek mythwho looked admiringly at his own face and was drowned. Data Artist: Makoto Azuma Year: 2009 Genre: Installation Owner: Private collection Material: Hasami-yaki single‐flower vase Size: W100×D75×H225mm Note: Exhibited in "hand vase" at CLEAR GALLERY (Octover 30 - November 3, 2009), photo by Shunsuke SHIINOKI, courtesy of AMKK |
| Last Updated on July 02 2010 |
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updated: Jun 21,2010
Born on July 24, 1976 in Fukuma, Fukuoka. Flower shop owner.He came to Tokyo in 1997 to make his debut in a rock band with four members. While engaged in the band activities, he started to work as a trader in Ota Market, one of the biggest markets of flowers and ornamental plants in Japan.
hand vase
updated: Jul 3,2010
The hands of a mannequin are placed on a rectangular concrete slab. Each hand, wearing a white glove, holds a cylinder in which flowers are arranged in small amount of water.
Flowers for Praying - Base Point of Makoto Azuma
author: Satoshi KOGANEZAWA
published: May 28,2009
On March 9, 2009, I visited AMKK (Makoto Azuma, Kaki Kenkyujo) and JARDINS des FLEURS, which had moved to Minami-Aoyama on January 11, 2009. My aim was to interview Makoto Azuma, who had held exhibitions at AMPG twenty-four times and had just finished his photographic exhibition entitled "AMPG vol.24+1".
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published: Mar 26,2009
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published: Jul 20,2009
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published: Sep 16,2009
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TOKYO FIBER '09: SENSEWARE
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published: Oct 19,2009
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Makoto AZUMA: adidas Plants Exhibition
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published: Jan 11,2010
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About the experience in AMPG
author: Satoshi KOGANEZAWA
published: Sep 23,2008
"AMPG"(AZUMA MAKOTO PRIVATE GALLERY), the private gallery where Azuma Makoto established for presenting his artwork using flower/plant monthly for two years from April, 2007 to March, 2009.
LEAF MAN
updated: Jul 3,2010
In a white space, (s)he stood still in the distance to stare at Makoto Azuma. “LEAF MAN” is the existence Azuma saw in his dreams sometimes. Rezfan(F), Monsutera (M), Haran (F), Kuwazuimo (M), Yashi (F), Asuparagasu - Pera (M), Sanderina (F), Erendarika (M), Tamashida (F), Sumairakkusu (M).
Rip a go go (for Yukio Nakagawa)
updated: Jul 3,2010
Do you know Yukio Nakagawa (born in 1918)? He learned Ikenobo-style Ikebana from his grandmother, and in 1950, joined Hakkuto-sha, the Ikebana research group presided over by Mirei Shigemori, landscape researcher and gardener. In 1951, he became disaffiliated from Ikenobo.
BOMBING OF A DAHLIA
updated: Jul 3,2010
When entering the gallery, it smelled slightly, but not because of rotten flowers/plants. As I walked in, I saw that something black was scattered on the floor. The smell was caused by firecrackers and the scattered material was pieces of dahlias that had been blown up by them.
Botanical Sculpture #2 holding
updated: Jul 3,2010
A slender green bud of an Easter lily is articulated on the tip of a silver hand clip stuck in the concrete. The theme of this second artwork, which was created after "Botanical Sculpture #1 Assemblage" (February 2008), is "holding (catching)".
SHIKI 4
updated: Jul 11,2010
Those who are accustomed to Azuma's work must never have expected that he would use vacuum packing for the "SHIKI" series, which has used iron framing, a freezer and an aquarium in the past.
Meat and Flower
updated: Jul 3,2010
A vertically long acrylic case. A piece of beef was hanging down from the upper side. Vivid red paphiopedilum was pinned onto the beef that was hanging in the air and gradually changing its color to dark red.
SHIKI 2
updated: Jul 3,2010
Following "Shiki" (2005) to use iron framing as a form, the second "SHIKI" used ice as a form. He displayed the pine in a freezer manufactured in cooperation with Imaseki Ice Technical Laboratory.
Damned Ikebana
updated: Jul 3,2010
Photos of flowers/plants placed in cups are displayed on the walls. They are on a cup or just put beside a cup. The flowers/plants are waste materials, not for sale as products. The beauty and the interest of their figure are remarkable.
The Catcher in the Datura
updated: Jul 3,2010
The room light is turned off and scattered incandescent lamps illuminate a huge cage. It looks like one used to hold savage animals, but the lock is an unreliable padlock.
Bamboo Man of Power (dedicated to Sakutaro Hagiwara)
updated: Jul 3,2010
As the reply to "Bamboo" (published in "Howling at the Moon" in 1917) by Sakutaro Hagiwara, he created a bamboo grove consisting of one bamboo and twenty-five photo panels.
Concrete×Bulb
updated: Jul 3,2010
Green peeping through a brown lump almost vertically rises up against the concrete side, for a short distance. That thick bud and stem look like a male sexual organ, however, the pointed end will break into red colors and finally produce a big, beautiful flower.
Botanical Sculpture #1 Assemblage
updated: Jul 3,2010
Several flowers/plants are combined by using bands within a four meter stage. The first theme of "Botanical Sculpture" series is "Assemblage". It has massiveness, but the rhythmical arrangement is also fun.
White, Black, Gray, Plants and Me
updated: Jul 3,2010
A flower is a sexual organ. Pollens produced by stamens are pollinated on an ovule that is part of a pistil, and seeds are born.
The other side of Crazy RED
updated: Jul 3,2010
A red exhibition room created by red film pasted onto the windows and fluorescent lighting.
Burning Fir
updated: Jul 3,2010
In the middle of November, Christmas trees can be seen here and there. The colorfully decorated, glittery trees are welcomed by people. It is the busiest season for Azuma, a flower shop owner, and he often used to accept the job of providing trees.
SHIKI 3
updated: Jul 3,2010
A Japanese white pine tree is floating in a one-meter cubic acrylic case filled with water. The case directly placed on the floor lowers our eyes to force us to look at the pine tree from above.
Fish&Flower
updated: Jul 3,2010
In sharp contrast to the entirely red space of the last exhibition, a cool place was produced in the middle of a hot summer. The keyword for this exhibition is "appreciation".
Garden of Reversal 2 (walking garden)
updated: Jul 3,2010
Japanese cedar reaching a height of 2m and a weight of 200kg, Leucobryum juniperoideum. The planters used to carry each plant move around the exhibition room at a speed of 2km per hour, sometimes rotating or turning around by crashing into each other.
MOSSY HILL (What a fucking wonderful world)
updated: Jul 3,2010
I want to end by just describing the beauty of this. Frankly, I would like to keep silent without speaking any words.
Punk tank garden
updated: Jul 3,2010
What an extravagant title! The diagram written on the wall, "punk = tank = fuck = Punk tank garden" against "infinity = space = empty = Japanese garden", is also brilliant.
Desolate
updated: Jul 3,2010
A red line is drawn on the floor near the entrance of the exhibition room. As one walks into the room, a huge refrigerator is found in which a vast number of gladioli are arranged.
hand vase
updated: Jul 3,2010
The hands of a mannequin are placed on a rectangular concrete slab. Each hand, wearing a white glove, holds a cylinder in which flowers are arranged in small amount of water.
umechan
updated: Jul 3,2010
Over twenty branches of Japanese plums are set out in a decorative pattern in a basin in the gallery. Banding bands used for "Botanical Sculpture #1 Assemblage" (February 2008) are also used here, but basically the branches support each other.
rolling
updated: Jul 3,2010
It was not only me who felt amazed on entering the gallery. Azuma did not try too hard because of the last AMPG exhibition, nor did he fall into sentimentality and simply enjoy looking back over the past two years.
TIME OF MOSS
updated: Jul 3,2010
The material Azuma used for the exhibition "TOKYO FIBER ’09 SENSEWARE", showcasing creativity using Japanese artificial fiber technology, was terramac (by Unitika, Ltd.).
Distortion×Flowers
updated: Jul 3,2010
This is a photographic work announced in his solo exhibition "Distortion×Flowers". Various vivid flowers and plants make up the whole like a collage centering on one effector.
Plants of remembrance_0-21 Fukuma
updated: Jul 3,2010
Two years after the exhibition in AMPG, this was a work announced in the fourth stage of "AMPG vol. 25, The 4th Stage" held in Mitsubishi-Jisho ARTIUM in Fukuoka, the artist’s hometown.
Kohei Nawa and Makoto Azuma designed the iida mobile
updated: Jul 28,2010
announced the works at iida's new model symposium
Stage art produced by Makoto Azuma for LAFORET HARAJUKU "LAFORET SOUND MUSEUM" on March 17
updated: Mar 8,2011
Azuma embodies the sense of beauty and the outlook on the world produced by the musicians.
Makoto Azuma, Kohei Nawa, and Yasuhiro Suzuki customize the Aeron Chair of Herman Miller
updated: Jul 4,2011
for the charity art project organized by Herman Miller and more Trees design.
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