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Nana KUROMIYA
Editor's Note
Written by Mizuki TANAKA   
Published: April 13 2010

 The work that combines paints dripped from the upper side of the canvas with a decorative pattern or a person is impressively exhibited in the white hall.
 The movement of pigments that falls vertically reminded me the images of the water such as waterfall and rain, the wind, the extremely high pillar, or the view immediately before fainting. I felt that the time momentarily stops when seeing. It is an exhibition on a lively street of Ginza that we can casually pop into. However, I would like you to see the work alone. I would like you to taste the luxurious time to fill yourself within the world of the work though seeing it with someone. It might also be one of enjoyable ways to see the work to throw yourself with someone.

Last Updated on November 04 2015
 

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