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Kosuke ICHIKAWA: murmur
Events
Written by KALONSNET Editor   
Published: January 07 2010

Courtesy of the artist and FOIL GALLERY copy right(c) Kosuke ICHIKAWA

Varying about 60 types of incense sticks to suit each work and its appropriate temperature, thickness or marks, Ichikawa produces his works by gradually and minutely burning the surface of the paper and making burnouts there with those variety of incense sticks, without even making the draft. Although images in his work are often embodied while retracing the objects in his memory, those trees are minutely portrayed and presented in front of us as if they are photographed. In the world of the blackened, sometimes seductively browned burnouts, in spite of the material fragility and delicateness, Ichikawa's works rather boldly but gracefully invite the viewers to explore the never-experienced work of art.Driven by the pure desire of "going abroad", Ichikawa visited New York alone when he was only 13 years old, with small amount of money he earned by his construction work. Later while wandering about in America or Europe, he came across the expression of art through the encounter with the native people and culture of those wandered places. With such extraordinary experiences and memories of his youth, Ichikawa has, now been back to Japan, continuously produced his works of art employing the incense sticks tequnique. In this exhibition at FOIL GALLERY, which will be the artist's debut exhibition at the gallery space, about 15 pieces of the new body of work with motif of trees will be on display. As the title "murmur" suggests, whispering voices of the trees will echo through the gallery. Kosuke Ichikawa profile:
Visited New York alone when he was only 13 years old, wearing dreadlocks and in his particular Japanese steeplejack's outfit. Later while also visiting many places such as Los Angeles, London and Barcelona to name a few, he started producing painting works greatly stimulated by the encounter with many people and cultures. Having come through the practice with pens, now he's been actively producing works employing the unique technique of incense sticks. His works is to be shown at the exhibition VOCA 2010 at The Ueno Royal Museum, Tokyo. * The text provided by FOIL GALLERY.

Last Updated on January 15 2010
 

Editor's Note by Tomohiro MASUDA


His work seemingly looks like a black-and-white photo with a strong shadow. However it is not a photograph. If you get closed to it, you will notice apparently innumerable holes on the paper of the work. One hole is, so to speak, one pixel, and the set of the pixels forms one image. He made the holes by scorching one by one with the flame of an incense stick. The each scorched hole has a unique form, and the variety produces one fine spectacle on paper. The paper seems fragile to be going to collapse at any moment due to the innumerable holes on it. However, in contrast with the material fragility, the image that appears on the paper has sensational strength like a flashback. The motif of all the works exhibited to this exhibition is a tree. It is difficult to find any stories or a symbolism there. However, this is why his work is like a flashback, as if one fragment of a memory unexpectedly sprung up gives our minds a noise or a nostalgia going up faces our mind that not is are sometimes given. Ichikawa is also exhibiting his work in VOCA 2010 (held from March 14 to 30 at Ueno Royal Museum.


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