It is a photograph work announced in his solo exhibition "Distortion×Flowers". The various vivid flowers and plants closely compose the whole like a collage centering on one effector. The use of the effector as an equipment for the sound effect of music gives provides a musical element of the plant, that is to say, an implications between time and plant.
In one of the causes, this work is a photograph work to the end. In a word, the plant in the photograph need not grow up and, needless to say, die because it is not a work by using the actual plant in the installation. Many of works by Azuma use living flowers and that is why we feel the dynamism of like in his works. However, the "Dsitortion×Flowers" might be the exception. It is because time is cut out and stops there at a certain moment in a photograph. However, the effector urges us if the pulse of the plant to be alive there can be felt. It is like that the time that stopped in the photograph begins to move, and the feast of flowers that dance in a frenzy starts.
| Artist | Makoto AZUMA | ||
|---|---|---|---|
| Year | 2009 | Owner | Private collection |
| Genre | Etc. | Material | Inkjet print, photo acrylic processing |
| Size | 1,500×2,250×43mm | ||
| Note | Exhibited in "Distortion×Flowers" at EYE OF GYRE (May 15 - July 7, 2009, photo by Shunsuke , courtesy of AMKK | ||